Freddy Vs. Jason
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Spurting blood, mangled body parts, gratuitous sex, violence, drug use, and even more gratuitous puns pack every on-screen minute of the clash between '80s slasher giants, Freddy Kruger (Robert Englund) and Jason Voorhees (Ken Kirzinger). And that's actually a good thing!

Freddy Vs. Jason delivers a blow-by-blow-slaughter-action extravaganza that combines virtually every scenario postulated by junior high/high school horror fans in the last two decades, who contemplated the "what if" battle royal of these two supernatural serial killers. Across the country, many a late night slumber party slash-a-thon film fest has probably degenerated into debating the outcome of this fiendish melee of the ages. For my friend John and I, this conflict was chronicled in a battered spiral notebook that was circulated among the most select group of sixth graders. Sample: "Jason cuts off Freddy's hand, but since they are in the dream world, it just grows back and Freddy laughs."

The screenplay is only a slight improvement on our versions, but really that's the whole point: packing in as many of these fan scenarios as the narrative can endure (and then some).

The plot is surprisingly creative when considering the source. Freddy, ever the egotist, finds himself impotent of his dream stalking powers when Elm Street, The Next Generation forgets about him. To remedy this, he resurrects Jason, the unstoppable mama's boy killing machine, to terrorize teens and return him to his full power. The only problem with unstoppable killing machines is...well, they don't stop. Therein lies the conflict.

Unfortunately, the creativity wears off around the fourth time the plot is explained.

In the tradition of the slasher genre, the film maintains its superficial stab at a morality piece/STD metaphor, hacking apart intoxicated, over-sexed, horny teens in need of punishment. It makes an equally superficial effort to challenge the stigma misogynistic rape fantasy by making the second victim a card carrying chauvinist. Nonetheless, in the same vein as the Frankenstein monster, Dracula, and Wolf Man, this modern creature feature combat, is undiluted puerile entertainment.

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