True Romance
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True Romance is a love story, but you can’t call it a chick movie. It begins somewhat traditionally: boy and girl meet at a movie, they decide to go to get some pie afterwards, then boy takes girl to the comic book shop where he works and shows her what Spider-Man Number One looks like, and then they go home and have sex.

End traditional and begin the wild ride that writer Quentin Tarantino calls a movie.

That night, the girl, Alabama (Patricia Arquette), comes clean about being a call-girl who was hired to go out with the boy, Clarence (Christian Slater). Not only does he accept this fact with grace, but they also both agree that they’re in love with each other. The next morning, they get married. Soon after that, Clarence goes to get Alabama’s things from her ex-pimp but—big mistake—grabs a suitcase of cocaine instead. During the rest of the movie, the happy couple tries to sell the cocaine while being chased by the mob that they stole it from.

This movie is one of my favorites. It has off-beat humor, a little romance, and lots of blood, shooting, and violence. It centers on Alabama and Clarence, but, typical to Tarantino films, the supporting characters almost steal the show. Clarence’s father (Dennis Hopper) is tough as nails as he protects his son. Alabama’s white pimp thinks he’s black—and he delivers the classic line, “He must have thought it was white boy day. It ain’t white boy day, is it?” One of the hit men sent after the couple waxes philosophical about how disturbing and difficult one’s first kill is. And the bit parts by big stars are great—you never get to see Val Kilmer’s face, Brad Pitt has approximately five lines, and Samuel L. Jackson has fewer.

Slater does a great job as the tough but continually out of his depth Clarence, and Arquette is adorable as a Florida “peach” with a pit of iron. This movie has everything—and, as long as you don’t mind violence, it could become one of your favorites, too.

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