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As the old saying goes, “If it ain’t broke, don’t fix it.” And director David O. Russell’s cast of regulars definitely ain’t broke. Jennifer Lawrence, Bradley Cooper, and Robert De Niro are back again and ready to shine—even through some rather uneven storytelling—in Russell’s latest dysfunctional dramedy, Joy.
Joy tells the true story of Joy Mangano (Lawrence), a hard-working single mom who finds herself caring for four generations. While cleaning up after her family, she dreams up the idea for the Miracle Mop, a self-wringing, washable mop that she’s determined to produce and sell—with a little bit of help from her father (De Niro) and his new girlfriend (Isabella Rossellini). Once the production issues have been figured out, Joy is able to begin selling. But it isn’t until she steps in front of the cameras on QVC that her luck begins to change.
Part wacky family comedy, part inspirational drama, part behind-the-scenes business profile, Joy reunites Russell’s band of regular players—and throws a few worthy newcomers into the mix—to tell a quirky and uplifting underdog story about a woman who fought her way through one challenge after another to build her very own empire.
The cast, of course, is remarkable. Russell and his stars seem to have found the perfect filmmaking chemistry, and they once again offer up some solid and entertaining performances. Lawrence gives the title role the perfect blend of strength and vulnerability. As Joy begins digging herself out of her less than ideal circumstances, audiences will cheer her on. And though she makes her share of mistakes along the way, that only makes the character more likable and relatable.
The supporting cast, meanwhile, boosts the film’s heart and humor. While Diane Ladd gives the film warmth as Joy’s loving, supportive grandmother, Virginia Madsen brings plenty of laughs as Joy’s unstable mother, who spends her life in bed, watching her favorite soap opera (which is apparently broadcast 24/7).
The film’s greatest flaw, then, is its storytelling. Though it has plenty of fun-filled, madcap moments—and plenty of inspiring ones, too—it struggles to find the right balance. Some aspects of the story seem to drag on too long, while others seem strangely glossed-over. And the uneven, unfocused storytelling means that this strong woman doesn’t get the compelling story that she seems to deserve.
Russell’s go-to cast members have proven themselves time and time again—and they’re as lovable as ever in Joy. But while it still has some moments of screenwriting magic, issues with the story’s tone and pacing keep it from award-worthy greatness.
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