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I recently realized that most of my latest CD purchases—and, actually,
a good portion of my music purchases as a whole—have been soundtracks.
I mulled this about for awhile as something halfway worthy of at least thought,
if not on the edge of being worthy of worry. Was I getting, perhaps, a bit,
well—obsessive—about collections? Was I soon going to be so busy buying
collections of music that I would lose my capacity to listen to a CD by a single
artist all the way through?
Somewhere in the midst of my mind’s buzzing about this issue I decided
that the best way to determine if I was being obsessive would be to analyze
why I buy so many. From there, of course, my neurotic brain would proceed to
self-justification or to a determination to change my habits. After much cogitation,
here are a few of the reasons I came up with:
- More varied music for my money. My CD budget is quite a bit more
limited than my book budget, since I’m more addicted to reading than
listening. Soundtracks, in giving me a larger variety of music in one place,
allow me to get more bang for the buck. - I can get a summary of or introduction to a whole style of era of music
compiled in a soundtrack or two. Sometimes I don’t know enough about
or like, say, jazz or the 60s, enough to buy all the key CDs from the important
artist of an era or a style, so I’ll find a movie with key music of that
type. Forrest Gump is a great soundtrack covering key American music of the
50s through the 70s, for instance. Buying this CD both fills a gap in
my collection and introduces me to which artists I like more than others in
those eras. It educates me quickly as to whether I want to buy more or not. - I can avoid buying music I don’t like. Sometimes you just like
one song by an artist, but hate the rest of their stuff. If the song I like
has been featured in a movie with other songs I like, it saves me from the
waste of buying the artist’s CD just for one song. - I know what I’m getting with a movie soundtrack. Whenever I
watch a movie, I find myself listening to the background music as well as
paying attention to the other aspects—not just because it complements
the movie, but because I can find out most of the soundtrack songs ahead of
time. When I’m buying a new CD in which only a couple songs have been
played on the radio, I’m never quite sure what I’m getting. With
a movie soundtrack, I’ve heard most of the sound and styles. Less unpleasant
surprises this way. - A chance to concentrate on the music on its own, apart from the movie.
Music in a movie is still part of a movie, and if I enjoyed the music along
with the movie, I’ll want to hear more, and in its raw form. By buying
the soundtrack, I get to concentrate on the music alone, as the primary thing
rather than as the background. This is especially enjoyable if the movie’s
done something to pull the music into a new work of art, as in the case of Moulin
Rouge. When this is the case I often buy the soundtrack, and when I listen
to it I remember the music’s place in the movie and also experience it
as its own entity. - Soundtracks keep me awake on the road. Since a movie often has various
speeds of music in it to denote different moods, the soundtracks often flow
well, but are varied enough to keep me awake while driving. Since much of
my music listening is in the car, variation is key to keeping me from falling asleep on the road (the rest of you drivers should be thankful). - As few CDs as possible. Because most of my listening is in the car,
I like to have a variety of music, but condensed into as few CDs as possible.
(If you’ve ever tried to play DJ in rush hour traffic while drinking
hot tea out of a travel mug, you may be able to relate.) Soundtracks are great
for this, especially when I’m bored with my own mix CDs and being lazy
about putting together more.
Having documented good, sound reasons for my slight obsession, I of course
felt largely justified in my soundtrack purchases. All the same, I went online
to my music club right away and assuaged what was left of my worry by buying
a bunch of CDs I’d been meaning to buy that had nothing to do with movies
(buy one, get three free, after all). Having covered myself from all sides,
I went on in peace. I knew I’d find something else to worry about soon
enough.
