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Let me start by saying that I have the utmost respect for rock stars, especially dead rock stars. And back in the day I had that famous-as-Farrah Fawcett-in-the-red-bathing-suit flick of a shirtless close-up of Jim Morrison in crucifixion pose on the wall of my teenage bedroom. It certainly isn’t Jim Morrison’s fault that five out of the twenty-one tracks on this disc are different versions of “Roadhouse Blues.” And the fact that four of these versions are bonus tracks doesn’t make it right. So, if you absolutely love “Roadhouse Blues” or you can get around this surplus, this is a fine album.
The disc opens up with “Roadhouse Blues.” Don’t get me wrong – this is a strong, danceable track with stellar vocals and impeccable musicianship. And it’s great the first time around. That’s the last I’ll say about that.
“Waiting for the Sun” is dark and somewhat haunting with some nice guitar riffs and a strong bass line. “You Make Me Real” has a good strong rhythm section and nice bluesy undertones. “Peace Frog” is upbeat with gorgeous guitar work and plenty of focus on Morrison’s signature vocal stylings. “Blue Sunday” is a lot like “Waiting for the Sun” but again the spotlight is on the vocals here. “Ship of Fools” is more energetic with a nice beat and fine guitar work. “Land Ho” is sweet and balmy with wonderful lyrics. “Queen of the Highway” is raw and gritty with a great beat for dancing and some nice percussion stylings. “Indian Summer” is a bit sleepy, but the lyrics are lovely. The rich and bluesy “Maggie M’Gill” is classic Doors, and easily my favorite track on this disc. Morrison’s interpretation of Chuck Berry’s “Carol” is short but sweet as honey.
“Morrison Hotel” is a good disc if you’re a die-hard fan. However, if you’re just looking for a good sampling of their finest work, I’d recommend Legacy: The Absolute Best instead.
