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Company Men

kdk February 4, 2011
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In recent years, millions of people have suddenly found themselves without a job, struggling to make ends meet. While a number of documentaries have explored the causes of the recession and other films (like 2009’s Up in the Air) have explored the fallout, though, few have captured the recession’s emotional impact quite like The Company Men.



Bobby Walker (Ben Affleck) has given the last 12 years of his life to GTX, a ship-building company based on Boston. But when the company needs to cut costs to balance the books, Bobby is one of the first to go. Angry but confident, he’s convinced that he’ll have no problem finding another job—but he soon learns that, in the midst of the recession, there are just too many others like him. As the weeks pass, he wonders how he’ll be able to maintain his family’s lifestyle.



Meanwhile, those who are left behind—like Phil Woodward (Chris Cooper)—fear the worst. And Bobby’s former boss, Gene (Tommy Lee Jones), struggles to toe the company line and stay loyal to a company that no longer cares about its people.



In this timely drama, writer/director John Wells offers an emotional—but also somewhat hopeful—look at the consequences of corporate downsizing. It’s a tough topic to handle, since just about every one of us knows someone who’s been affected by the recession. Even if we haven’t experienced is ourselves, we’ve watched as friends, family members, and other loved ones have struggled and suffered. So it’s a relief to see that Wells handles the subject with honesty and sincerity.



Throughout the film, Bobby goes through all of the usual stages of grief over losing his job—from denial, guilt, and anger all the way to acceptance. It’s an accurate portrayal of the experience—the frustration, the fear, and sometimes even the humor—and viewers will relate. You’ll laugh at the ironies, you’ll share in the shame, you’ll sympathize with the frustration and depression, and you’ll celebrate the successes. Along the way, there are also plenty of lessons to be learned—and, at least for some of the characters, there could even be a ray of light shining at the end of the tunnel.



The film’s greatest flaw, then, is that much of the cast is underused—and their characters are underdeveloped. Affleck’s Bobby stands solidly in the spotlight, while the other characters—especially Cooper’s panic-stricken Phil—remain hidden in the shadows. Their stories are told through the occasional short snapshots—and, unfortunately, we never really get a feel for who they are or why they do what they do.



Still, The Company Men is a heartfelt drama about the recession, faithfully conveying the emotion of the characters’ experience without resorting to bitterness or melodrama. For some, it may hit a bit too close to home, but that just means that it’s done its job.

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About Post Author

kdk

Kristin Dreyer Kramer has been writing in some form or another (usually when she was supposed to be doing something else) since the ripe old age of ten—when she, her cousin, and their two Cabbage Patch Dolls formed the Poo Authors’ Club. After a short career in advertising, Kristin got sick of always saying nice things about stuff that didn’t deserve it—so now she spends her days criticizing things, and she’s much happier for it. Since creating NightsAndWeekends.com in February of 2002, Kristin has spent her life surrounded by piles and piles of books and movies—so many that her office has become a kind of entertainment obstacle course. As if her writing and editing responsibilities for N&W.com weren’t enough to keep her out of trouble, Kristin also hosts a number of weekly radio shows: Reel Discovery, Shelf Discovery, and On the Marquee. She’s also a proud member of the Broadcast Film Critics Association (CriticsChoice.com), the Central Ohio Film Critics Association (COFCA.org), the Online Film Critics Society (OFCS.org), and the Women Film Critics Circle (WFCC.Wordpress.com). Kristin lives in Columbus, Ohio, with her husband, Paul, and their daughter, Anna. She welcomes questions, comments, and fan mail at kdk@nightsandweekends.com.
kdk@nightsandweekends.com
http://www.NightsAndWeekends.com
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kdk

Kristin Dreyer Kramer has been writing in some form or another (usually when she was supposed to be doing something else) since the ripe old age of ten—when she, her cousin, and their two Cabbage Patch Dolls formed the Poo Authors’ Club. After a short career in advertising, Kristin got sick of always saying nice things about stuff that didn’t deserve it—so now she spends her days criticizing things, and she’s much happier for it.

Since creating NightsAndWeekends.com in February of 2002, Kristin has spent her life surrounded by piles and piles of books and movies—so many that her office has become a kind of entertainment obstacle course.

As if her writing and editing responsibilities for N&W.com weren’t enough to keep her out of trouble, Kristin also hosts a number of weekly radio shows: Reel Discovery, Shelf Discovery, and On the Marquee. She’s also a proud member of the Broadcast Film Critics Association (CriticsChoice.com), the Central Ohio Film Critics Association (COFCA.org), the Online Film Critics Society (OFCS.org), and the Women Film Critics Circle (WFCC.Wordpress.com).

Kristin lives in Columbus, Ohio, with her husband, Paul, and their daughter, Anna. She welcomes questions, comments, and fan mail at kdk@nightsandweekends.com.

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