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Midnight in Paris

kdk June 11, 2011
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Year after year, throughout his 45 years as a director, Woody Allen has cranked out movie after movie—quirky little comedies, mysteries, and romances starring some of the biggest names in Hollywood. He’s made some good movies and some not-so-good movies, as well as some movies that are simply magical—like his latest, Midnight in Paris.



Owen Wilson stars as Gil, a successful Hollywood screenwriter who’s struggling to break into the literary world as a novelist. While in Paris with his fiancée, Inez (Rachel McAdams), and his future in-laws, Gil fantasizes about living in the City of Lights in the Roaring ‘20s—a more romantic time, when the city was populated with famous painters and writers and musicians.



One night, at the stroke of midnight, Gil gets his wish. He’s magically transported back to the ‘20s, where he gets to hobnob with F. Scott and Zelda Fitzgerald (Tom Hiddleston and Alison Pill), Ernest Hemingway (Corey Stoll), and Gertrude Stein (Kathy Bates), who even agrees to help him with his novel.



Gil begins rushing off each night to return to the past. And as he finds himself falling in love with Picasso’s mistress, Adriana (Marion Cotillard), he and Inez begin drifting apart.



With its adorably awkward chattiness and its wry sense of humor, Midnight in Paris is pure Woody Allen: a captivating (and downright entertaining) blend of crisp, clever dialogue and rambling monologues. Allen’s writing is as fresh and fun as it’s ever been—and the mystical story might bring back memories of another Allen favorite, 1985’s The Purple Rose of Cairo.



The cast, meanwhile, is simply brilliant. Wilson portrays Allen’s typical protagonist with pitch-perfect perplexity. And he’s skillfully supported by a bevy of talented actors in memorable roles—whether they’re larger roles, like Cotillard and Michael Sheen, who plays Inez’s pompous know-it-all friend, or minor roles like Adrien Brody’s Dalí. And, of course, Paris itself shines as a supporting cast member. In capturing the antique shops of modern-day Paris to the clubs of the 1920s, Allen’s simple cinematography feels like a classic Parisian postcard.



Midnight in Paris is a smart movie, loaded with so many brainy references to classic writers and artists and other famous people that you may sometimes feel like you’re missing the joke. If you haven’t read Hemingway, for instance, you might not understand what makes Stoll’s earnestly dry performance so hilarious to the people sitting around you. You may miss some of the references; you may not know some of the famous characters or their stories. Still, you’ll easily understand what makes Gil so desperate to return to them night after night. They’re passionate; they’re energetic; they’re full of life. And, like Gil, you’ll find yourself drawn into their world, looking forward to each night, when you can return to those charming characters and their thrilling parties.



Midnight in Paris has everything you could possibly want in a breezy summer flick: comedy, romance, fantasy…and Paris. And, thanks to its clever writing and remarkable cast, it’s sure to find a place among your favorite Woody Allen films.

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About Post Author

kdk

Kristin Dreyer Kramer has been writing in some form or another (usually when she was supposed to be doing something else) since the ripe old age of ten—when she, her cousin, and their two Cabbage Patch Dolls formed the Poo Authors’ Club. After a short career in advertising, Kristin got sick of always saying nice things about stuff that didn’t deserve it—so now she spends her days criticizing things, and she’s much happier for it. Since creating NightsAndWeekends.com in February of 2002, Kristin has spent her life surrounded by piles and piles of books and movies—so many that her office has become a kind of entertainment obstacle course. As if her writing and editing responsibilities for N&W.com weren’t enough to keep her out of trouble, Kristin also hosts a number of weekly radio shows: Reel Discovery, Shelf Discovery, and On the Marquee. She’s also a proud member of the Broadcast Film Critics Association (CriticsChoice.com), the Central Ohio Film Critics Association (COFCA.org), the Online Film Critics Society (OFCS.org), and the Women Film Critics Circle (WFCC.Wordpress.com). Kristin lives in Columbus, Ohio, with her husband, Paul, and their daughter, Anna. She welcomes questions, comments, and fan mail at kdk@nightsandweekends.com.
kdk@nightsandweekends.com
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kdk

Kristin Dreyer Kramer has been writing in some form or another (usually when she was supposed to be doing something else) since the ripe old age of ten—when she, her cousin, and their two Cabbage Patch Dolls formed the Poo Authors’ Club. After a short career in advertising, Kristin got sick of always saying nice things about stuff that didn’t deserve it—so now she spends her days criticizing things, and she’s much happier for it.

Since creating NightsAndWeekends.com in February of 2002, Kristin has spent her life surrounded by piles and piles of books and movies—so many that her office has become a kind of entertainment obstacle course.

As if her writing and editing responsibilities for N&W.com weren’t enough to keep her out of trouble, Kristin also hosts a number of weekly radio shows: Reel Discovery, Shelf Discovery, and On the Marquee. She’s also a proud member of the Broadcast Film Critics Association (CriticsChoice.com), the Central Ohio Film Critics Association (COFCA.org), the Online Film Critics Society (OFCS.org), and the Women Film Critics Circle (WFCC.Wordpress.com).

Kristin lives in Columbus, Ohio, with her husband, Paul, and their daughter, Anna. She welcomes questions, comments, and fan mail at kdk@nightsandweekends.com.

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