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Cars 3

kdk November 4, 2017
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Read Time:4 Minute, 3 Second

Of all of Pixar’s films and franchises, none have frustrated viewers quite as much as the Cars movies. While the characters have been popular and the merchandise has been profitable, the first film was deemed too long and slow, while the sequel was criticized as too flashy and clumsy. And now the series returns to its roots for an especially grown-up Cars 3.



Cars 3 catches up with Lightning McQueen (voiced by Owen Wilson) as he suddenly finds himself taking a new and unfamiliar position outside the winner’s circle. As new, high-tech racers like Jackson Storm (Armie Hammer) begin fighting for the Piston Cup, Lightning’s old rivals are being forced into retirement. Though the final race of the season ends in disaster, his friends in Radiator Springs convince him not to give up—so he travels to his new, state-of-the-art training facility, determined to prove that he’s still got it.



The third installment in Pixar’s most problematic franchise takes a step back to the more low-key tone of the original. It still has some car-racing action and some light-hearted humor. The animation is still breathtaking, and the characters are still (generally) lovable. But it isn’t as flashy and over-the-top as the last installment—and Larry the Cable Guy’s Mater plays a (mercifully) small role. Instead of racing around the globe and getting caught up in international espionage, Lightning spends much of the film traveling the back roads, reflecting on his past—and on the characters who helped him along the way.



For that reason, though, Cars 3 is an incredibly melancholy film. Not only does it dwell a bit too much on Lightning’s memories of his late coach, Doc Hudson (voiced by the late Paul Newman), but it also focuses on Lightning’s desperation to cling to his career as his peers are being forced into retirement. Much of the story—and even much of the humor—revolves around people treating Lightning like he’s too old to function on his own.



The whole message here seems to be about aging—and about figuring out what to do with your life when you can no longer do what you once loved. That’s not really the kind of message that will resonate with the eight-year-old crowd—and it’s one big downer for the grown-ups.



Part of Pixar’s charm is the studio’s ability to produce animated films that are both strikingly beautiful and wonderfully sophisticated—films that appeal to all ages because they’re both dramatic and fun. But Cars 3 is a lot more dramatic than it is fun—and, in the process, it seems to alienate its main audience.



Cars 3 is still a beautiful film—with subject matter that may be meaningful to the parents and grandparents in the audience. And fans will enjoy seeing Lighting McQueen back on the track. But, once again, the franchise struggles with its tone and its message—and perhaps it’s just time to consider its retirement.





Blu-ray Review:


The team at Pixar always seems to come up with fun-filled extras for the special features menu on their film’s home video releases—so it’s no surprise that the Cars 3 Blu-ray is loaded with two discs of extras.



Of course, there are the shorts: the adorable Lou, which appeared before the film during its theatrical run, and an all-new short, Miss Fritter’s Racing Skoool, a short commercial featuring the rough and tumble school bus and her pals.



Some of the other extras explore the film’s racing roots—like Legendary, which takes a look at the history of NASCAR, or Ready for the Race, which does a little race training at Hendrick Motorsports, where Pixar did some of their research.



Others offer additional behind the scenes fun—like Let’s. Get. Crazy, which takes a closer look at the Crazy 8 scene (and Lea DeLaria’s Miss Fritter), or World’s Fastest Billboard, which discusses the importance of graphic design in car culture and even offers a closer look at some of the stickers and posters and billboards that you most likely missed while watching the movie.



And some extras are just for fun: like the quirky My First Car features—three sketchy little shorts with cast and crew members talking about their first car.



There’s a lot more here, too: commentaries and deleted scenes and features on die cast cars. Admittedly, none of the extras here are must-watch extras—but they do offer a fun inside look at the movie and the world of Pixar. And that makes it good for a little extra viewing on a rainy fall afternoon.





Listen to the review on Reel Discovery:

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About Post Author

kdk

Kristin Dreyer Kramer has been writing in some form or another (usually when she was supposed to be doing something else) since the ripe old age of ten—when she, her cousin, and their two Cabbage Patch Dolls formed the Poo Authors’ Club. After a short career in advertising, Kristin got sick of always saying nice things about stuff that didn’t deserve it—so now she spends her days criticizing things, and she’s much happier for it. Since creating NightsAndWeekends.com in February of 2002, Kristin has spent her life surrounded by piles and piles of books and movies—so many that her office has become a kind of entertainment obstacle course. As if her writing and editing responsibilities for N&W.com weren’t enough to keep her out of trouble, Kristin also hosts a number of weekly radio shows: Reel Discovery, Shelf Discovery, and On the Marquee. She’s also a proud member of the Broadcast Film Critics Association (CriticsChoice.com), the Central Ohio Film Critics Association (COFCA.org), the Online Film Critics Society (OFCS.org), and the Women Film Critics Circle (WFCC.Wordpress.com). Kristin lives in Columbus, Ohio, with her husband, Paul, and their daughter, Anna. She welcomes questions, comments, and fan mail at kdk@nightsandweekends.com.
kdk@nightsandweekends.com
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kdk

Kristin Dreyer Kramer has been writing in some form or another (usually when she was supposed to be doing something else) since the ripe old age of ten—when she, her cousin, and their two Cabbage Patch Dolls formed the Poo Authors’ Club. After a short career in advertising, Kristin got sick of always saying nice things about stuff that didn’t deserve it—so now she spends her days criticizing things, and she’s much happier for it.

Since creating NightsAndWeekends.com in February of 2002, Kristin has spent her life surrounded by piles and piles of books and movies—so many that her office has become a kind of entertainment obstacle course.

As if her writing and editing responsibilities for N&W.com weren’t enough to keep her out of trouble, Kristin also hosts a number of weekly radio shows: Reel Discovery, Shelf Discovery, and On the Marquee. She’s also a proud member of the Broadcast Film Critics Association (CriticsChoice.com), the Central Ohio Film Critics Association (COFCA.org), the Online Film Critics Society (OFCS.org), and the Women Film Critics Circle (WFCC.Wordpress.com).

Kristin lives in Columbus, Ohio, with her husband, Paul, and their daughter, Anna. She welcomes questions, comments, and fan mail at kdk@nightsandweekends.com.

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